The Basic Principles Of Charlie Chaplin's "The Circus" (1928)

They are often yearning romantics, with this particular difference: Buster appears to be a plausible mate, plus the Tramp hardly seems to have a libido, only idealized notions. If their comedies were built in a far more liberated time, it is achievable to assume Keaton in bed with a lady, but disquieting to think of the Tramp like a sexual remainin

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